It's on like Warhol Donkey Kong

http://www.parkerpopshop.com/ ...I just finished the first set of 4 new paintings titled "Warhol Donkey Kong" (14"x16"x2" spraypaint on canvas) in a series of 8.The title is pretty straight forward & understated...I first had this idea about a year ago, but was to busy to implement it then.I did my R&D for it 4 months ago & they sat, ready to be cut & wrapped up quick.I had to take my time on this particular idea & make sure I got it right, not right but perfect.Spending hours,days & weeks staring & thinking of composition, position, color palette & overall originality of the idea...

The best & or most original idea doesn't mean anything if it's not properly executed.With this thinking I sat on it, but once I was cutting the stencils I was flying.All the separate layers were lined up just right & came together better than I could have hoped for.I even "knocked one out" at 83 gallery in Columbus while I was working a shift there,#3 was completed there in just 3 hours,most of it dry time.If I had to guess I'd say from cutting stretcher bars, stretching the canvas, cutting stencils, paint & signature there's probably about 5 hours in each...

All four will be on display this month.Number 1 is at the Mac Worthington gallery of contemporary art http://www.macworthington.com/, number 2 is at 83 gallery http://www.83gallery.com/ & number 3 is at Brothers Drake Meadery http://www.brothersdrake.com/ , all of which are in the Short North arts district in Columbus, Ohio.Meanwhile number 4 will be on display at the "Through the lookin' glass" art show in Charleston, South Carolina on June 18th,where I'll also be live painting.

I'm not really gonna dive into the concept of this series' of paintings as I don't think I need to.The idea speaks for itself, it's not an ink blot test.I look forward to doing the set of 4 soon, but first I need to do some other subjects & get away from it for a month or 2.It'll never be fresh to me again obviously as I did it, so a break from the subject is understandable.I wanna thank everyone who's complemented all of them & I love to make people laugh when they see art & how I can diffuse snotty "Fine Art" , it's still fun & as long as I'm a smart ass....I'm gonna paint like a smart ass....

A temporary goodbye to Cleveland's Pop shop

I started showing at the Pop Shop Gallery in Cleveland almost exactly a year ago after moving to Columbus & Ohio in December of 2009.Remember the first 2 1/2 hour drive up to drop off art work for the $5o dollar show, a show where I sold two Kool-Aid's & my wife & I fell in love with the Lakewood area.Before that I thought it was very cool to have found a gallery devoted to pop art, especially in Cleveland & with the first few emails back & forth owner/artist Rich Cihlar found it funny my email was parkerpopshop as that's what I named my fledgling business in 2009.We had never heard of one another (obviously), just a case of two artists with a major commonality in influence with pop art & it's "movement"...




Before I even walked in the gallery screamed of pop goodness what with the neon signs,stickered up door with tint & Mullens the bar right next to it.You walk in & see all the art,shirts,crafts & the bubblegum machine filled with pop pin's,thinking it's an indie pop sanctuary!You start to talk to Rich & Jeff (his right hand man) & it's just Kool laid back pop biz as usual just outside Cleveland.I showed there the rest of 2010 & every experience was awesome.Fellow Columbus artist & friend Arlo Moon began showing there & we even drove up to pop shop together on one occasion as well as being in 3 shows together there...
After almost a year Rich asked if I wanted to participate in a 3 man exhibition at ARTificial gallery, which is a gallery within a gallery or basically another room (large) for the gallery's 5 year Birthday.How does a pop painter say no to that?An idea of his was for us to stencil the walls with corresponding work in the "Connect the dots" (above) show.We drove up on a Saturday with 15 paintings & spent a good 4 hours talking & working together to prepare the show.Upon completion Rich gave Jen & I a bottle of his homemade apple wine (deli sh) we drank later that nite back in the studio in Columbus.A few weeks later we attended the show & also Lakewood Park on lake Erie.Our favorite place in Lakewood,along with pop shop or Starbucks,a park where one could take peanuts & be overwhelmed by a squirrel army of 50 strong.They'll come right up to you & almost eat it out of your hands.Several art drop offs & pick ups were spent this way with me playing Ace Ventura, while Jen & Chey went down to the lake or were playing at the playground, good times for sure!!!

The POP SHOP GALLERY in Cleveland will be having it's last two shows in the physical gallery coming up in June & July.The temporary closing of it's location is due to owner & Artist Rich Cihlar & his wife expecting their first child in September.Rich will be spending a great deal of his time with his child over the next few years & a big congratulations to the expecting couple.The gallery will still be active in Cleveland arts & of course Rich isn't gonna stop painting in his soon to be done new studio.Jen & I drove up to pick up work this past Tuesday & got to talk more with him of the overall transition of being a dad & the gallery as well as the building's future.Breakneck gallery as well as the Cleveland craft coalition will be taking on the space at 17020 Madison Avenue one in the Pop shop space & one in the ARTificial space, shows will still take place & local artists save a spot to promote their art.The last two shows (for now) at the pop shop gallery Will be the $50 dollar show & the Avenging Cleveland show, after that the before mentioned Breakneck & Cleveland craft will be taking over the space.Do yourself a huge favor & don't miss these two last shows because once it's gone you're gonna miss it,I'm gonna miss it & so will Lakewood.A big congrats to Rich,his wife & the artists taking on the space & doin their thang.

Before leaving Tuesday with art work in tow bound for home in Columbus,Rich & I traded paintings...My "Kool-Aid" (yellow #1) for his "Aint it cool" (Fonzie) skate deck.Making it the first time I've traded my work with a fellow artist.I mentioned how much I liked the deck at the connect the dots show or pre-hang or both & Rich suggested we trade.It now hangs in my studio & an awesome painting that will remind me of Rich,Jeff,Jerry Shirts,Lakewood park & the times spent there...Thank you POP SHOP for the memories we've had for the last year & Cleveland keep bein' Rockin'!!!!!!

New York City Trip Part 1

For the longest time I've wanted to return to New York city (the mecca) to exhibit my artwork.My first show (2009) was at the now defunct Climate gallery (left) in Long Island City, where I exhibited two paintings, but was unable to attend (probably for the best) & the last time I was there in Manhattan (pre 9/11) was 1998...After a year of showing in Columbus,Cleveland & Springfield as well as solid commissions & sales (including Vancouver B.C) I began to build up my bankroll & my contacts with a 5-10 day return trip to N.Y.C in mind for spring 2011.My original intention (plan) was to travel alone (lone butterfly) by train (Amtrak) out of Cincinnati to New York's Penn Station & stay with an Italian art model (Marie) for 7 days in Brooklyn & the Carter Hotel (from the movie Great Expectations) for 3 days.Well as we all know plans can change & I found a sweet little spot in Williamsburg (awesome!) at the Splatterpool art space courtesy of my guy Tolga.Fellow Pop shop gallery (Cleveland) & 83 gallery (Columbus) artist surprised me by wanting to join me on the adventure.The two weeks leading up to my departure date were filled with nothing, but hours of research,maps,emails,confirmations all while painting my usual output...Set up a show with the antagonist art movement at Niagara in Alphabet city (Tompkins square) for March 31st & was also accepted to ASA gallery (July) along, with a show at the Chelsea hotel ( May) as well as a meeting with my guy, New York's best artist (voted by time out N.Y) Borbay...With everything set & ready to go (relatively speaking) there was one last thing to do, buy a camera as well as lots of black & white film.

We set out of Columbus, Ohio fully packed with our art (8-10 paintings each) at high noon (symbolism) on March 30th for a 9+ hour drive (according to google)thru parts of 5 states.Passed thru Ohio (80mph) into the depressing West Virginia coal country & the town of Wheeling.Stopping for gas on the weirdest off ramp (gas station literally on the ramp) just before entering Pennsylvania & it's mountains.20 minutes after our encounter with the before mentioned off ramp station (cue the Dane cook public restroom joke), up in the foothills next to the highway were two snow foxes (playing or ?) in the high elevation snow.I always heard from my grama Parker growing up that seeing a fox was "good luck" & "auspicious" & there were two!!!Seems like a silly native superstition, but hey?Whatever helps me focus on positive thoughts & energy is (to me) a good thing.Driving on we climbed up into the mountains it began to snow huge powdery flakes that blanketed out everything in front of us (to Arlo's credit,he's a pro) & I looked out my passenger side window at the barely visible 2,000 foot drop with subsequent warning sign,thinking it's not the same as a sheer drop in Colorado, but still pretty goddamn scary.....Soon we began to go thru the tunnels under such mountains as Allegheny,Blue & another (or 2?) I couldn't pronounce & it reminded me of my honeymoon in Hawaii.Driving thru the like-like (pronounced lick-e lick-e in native Hawaiian) tunnel of Oahu with my wife on our way back from the Byodo-in temple & of course my thoughts turned to her for a while, which was a nice break from the intensity of the white out & riding thru the base of a mountain(s).Climbing down from the hills, rollin' fast thru the valley land of Penn & crossing into New Jersey (Dirty Jerz) the anticipation really began to pick-up as the light from Newark & New York stained the sky above a pinkish/magenta.Arlo turned on New York radio & we we're particularly taken with the hot 97 & funkmaster flex (can't believe he's still on it) as you just don't hear current solid east coast hip hop on Midwestern crap radio.After a few moments of confusion on the Jersey turnpike, we found ourselves in the Holland tunnel under the Hudson river (enough with going under crap) & came out onto the island of Manhattan & the west village.Takin' our "sweet ass" time to ensure we didn't take a wrong turn, but also to enjoy the action,scenery & all the other things that make the city so unique.After China town we climbed the Brooklyn bridge (roller coaster for me) & I thought it would collapse beneath us,crashing into the river below along with all the other 100 cars,trucks,etc.Just one of those random paranoid delusions that stops your heart and you hold your breath until the end of the ride.You come off the other side into Williamsburg (up & coming) in the borough of Brooklyn & every thing's comin' up Milhouse.A few mistakes later & we found ourselves at our destination just under the suggested time of google maps (sweet speed racer) & our hosts for the next 5 days,the gang at Splatter pool art space.The vacation officially begins when you reach the place you can relax & call your home away from home & we were at ours & our business trip officially began......................To be continued in Part II

Collaborations with photographer W.E Arnold

http://www,parkerpopshop.com/

http://www.wearnoldphotography.com/

...So growing up my grandfather was an amateur photographer and he would show me alot of the film, pictures as well as old movies he shot from the 20's on up thru the 70's. His photos of Catalina island off the coast of California (L.A) were always my favorite, along with his WWII photos of the south pacific and Panama...That was my introduction into B&W photography. I never went that route (photography)as it was a little to expensive, so I paint instead...

...Earlier this year, I met W.E Arnold thru Geoff Collins, chief curator with 83 gallery, at his (Geoff's) birthday party & we just kinda hit it off. A month and a half later we were talkin' about a collaboration...That piece turned out to be Godzilla in N.Y.C #1 (above right). A 20"x30" photographic print from a negative of battery park & the statue of liberty from his (W.E) trip to New york City. At the time I was very impressed with the effort, now in hindsight I know we could & did a much better job the second time around on that subject (Godzilla), but it was the foundation and what a way to start. We showed it for the first time at 83 gallery & their old location at the house on First Avenue. It made a good impression,but didn't sell. In June W.E approached about doing a second for the Exquisite corpse show to benefit the Columbus art mobile at Artillery. We came up with Holiday in N.Y.C (above right)this was a 20"x30" too, but on photo board. It was very well received by a lot of people, including the Director of that show & of the art mobile itself Heather Wirth. A favorite quote was provided courtesy of Ana da Paz-York as "a Phallicly dope co lab!"...The painting sold & helped go to a very good cause (a win-win)...In October we exhibited Godzilla #1 at Clayspace/831 Gallery in a very last minute deal with curator Juan Carrera and were rewarded for it. It was purchased by a man (Tom Wagner) that had bought my Skeletor (O.M.F.G) painting at the C-note show in Junction view studios earlier in the year (April). With the sale of that we were then able to do Shanghai street fighter, this was 24"x36" and on photo print like Godzilla #1 ,but instead of framing this one I used some adhesive to attach it to stretched vinyl.Makin' sure it was square was the real challenge, although I will say that these surfaces are the most demanding I've ever worked with.There is no room for error, as you screw up (misplaced stencil,over spray,etc.) that's it! The surface and painting will not be saved. Thankfully I've not encountered a problem I couldn't handle (knock on wood) & pray to the art gods it stays that way...Shanghai Street fighter is currently on display in Cleveland at the pop shop gallery. When dropping it off up there Rich (owner) & his main dude were shocked it was on a photo print, then to top it off I told them the photographer (W.E. Arnold) took that photo in China! It was at that point that I knew this was a special collaboration & that no two artists had done this kind of thing (Not pop art with B&W photography) before, since that moment the love of the process has increased and the work is so much more rewarding. Also, in October our N.Y.C Holiday was published in the Cleveland State University "Vindicator" along with a lovely article about me by Jordan Leah (Thanks again). In November we knocked out a Jack Kerouac co lab entitled "On the road" for which I sat & cut out a stencil of the last paragraph from the book (on the road). It took about 6 total hours to cut & in the whole duration of makin' the painting listened to my Kerouac spoken word & Jazz mix. He would have to be my favorite author or at least American author. It sold at Aberration consensus in Springfield at the State theatre, a show that W.E & I both showed & stayed at the Marriott along with our girls (Jennifer & Kaycee)...Even without the sale(s), the friendship we've developed has been so awesome & that is another point I keep makin'...The relationships I've made thru these collaborations is so far reaching & so I now have the feelin' that these (paintings/photos) are so much bigger than just myself the artist...November we also took another Godzilla & changed it up. The end results were Godzilla in N.Y.C #2 (screamer)...Another 20"x30" on the foam board (now a fav). This was exhibited at 83 gallery as part of Holiday Hop & it sold that nite. I enjoyed doin' the first one, but #2 was so much fun & I pushed myself hard. I especially enjoy the 50's Esq screamer as well as the new & improved attack helicopters! Now, here we are in December & just completed two more "On the roads"...One of which (above top) "On the road" #2 I did as a Birthday (Jan 1st) present to myself & plan on displaying it above my bookshelf, which contains 4 of Kerouac's works (on the road,dharma bums,the subterraneans & visions of Cody)...W.E Arnold is busy celebratin' a Birthday (Dec.25th) too & together we've both had a pretty incredible 2010 & so there is much to celebrate. After the New Year (my birthday) I look forward to doin' 3 completely new collaborations. That will take us up to eleven paintings with 8 different subjects & I could see gettin' up to 20 real quick...2011 will also see me take the co labs to N.Y.C to show with the Antagonist art movement, along with my other work.The first trip is scheduled for March/April and am very excited, hopefully they will be well received in the big apple too...? I'm pretty sure W.E. is "jacked up" for it as well... I've seen a great deal of Arnold's work & I also look forward to seein' him complete his darkroom along with all the new prints he'll undoubtedly produce, I imagine by late spring. To look at W.E Arnold's work you can do so at http://www.wearnoldphotography.com/ where you'll find more about the artist as well as his upcoming shows. Here are some other links as well...http://www.popshopgallery.com/ - http://www.83gallery.com/ - http://www.macworthington.com/ - http://www.cnoteartshow.com/ - http://www.clayspace.com/

New studio and sessions

I've been in my new studio now for 1 week and the first few days were spent feeling the space out.Imagining what all it would allow me to do.Very much like the first few rounds of a boxing match i circled and paced w/ a determined enthusiasm.Feeling the approaching sessions and what painting,style,media,medium and motifs would i use as the studios first piece?In the end i chose to return to a theme i first did 2 years ago.There was a commonality and desire to top the first one.The Pink Panther...This one would be different,better.More thought out and w/ out the urban landscape of skyscrapers in the background.I went w/ a 34"x26" size canvas and decided on aerosol for my paint.The first session was tediously slow and all the coffee in the world wasn't going to make this process any faster.Stencils had to be cut while hunched over my new desk,although this was not as bad as anticipated.The desk and chair are at that perfect height and meet like two corresponding puzzle pieces.The background took most of my attention ,along w/spacing and proportion.I wanted to go w/a first layer that was "aerosol point ism",followed by an "Expressionistic outburst" of throwing paint.It started to look like a summer sky w/explosions like those of fireworks.Next was applying the stencils one at a time and one spray at a time.This is the most time consuming part of this style.Care must be taken as to not allow over spray,bleeding (which can depend on glue)or impatience in dry time.For if you're ready to put on another layer ,while the painting is not...We all know bad things will happen.This next session was faster and fresher.It flew by and the ideas come rushing in and i felt very much in control.I even painted for a time in silence and the studio was serene and i knew it would allow me to do whatever was within reason.It feels very nice to start and finish this piece in 3 days in the new studio.It's been broken in and i'm ready for 2010......