Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Monday, December 31, 2012

Joss Parker on ArtNet...

www.parkerpopshop.com      http://www.artnet.com/auctions/fts/?f=joss-parker/



We're very pleased to announce that two artworks from the parker pop shop are  currently up for bid at auction with artnet... First: Breaking Kool-Aid (large) 34"x34" spray paint on canvas... http://www.artnet.com/auctions/artists/joss-parker

Exemplifying his characteristic use of appropriated Pop imagery, this painting by artist Joss Parker titled 'Breaking Kool-Aid' depicts the iconic Kool-Aid Man in a re-imagined light. Instead of breaking through a wall with his "Oh Yeah!" catchphrase, here the Kool-Aid Man is in fact the one being shattered apart, with bright red juice shown dripping from the cracks. This work was executed using hand-cut stencils and aerosol spray paint on canvas...



Second: One of our favorites, Al-Qaeda Camo (Purple Hues) 38x26 in. spray paint on canvas...http://www.artnet.com/auctions/artists/joss-parker/al-qaeda

Executed using hand-cut stencils and spray paint on canvas, this 2012 work from Joss Parker titled 'Al-Qaeda' combines his street art perspective with contemporary Pop imagery. Contrasting the serious against the playful, Parker transposes a graphic image of a masked Al-Qaeda man brandishing an assault rifle, against a bright array of pink and purple camouflage....

 
The auction runs thru the New Year.
 
A Thank You to Jud & Michael Blaine, Gracie Mansion, every one in the URBAN art department at ARTNET &  my fans.
 
Thank You...
 

Saturday, April 2, 2011

New York City Trip Part 1




For the longest time I've wanted to return to New York city (the mecca) to exhibit my artwork.My first show (2009) was at the now defunct Climate gallery (left) in Long Island City, where I exhibited two paintings, but was unable to attend (probably for the best) & the last time I was there in Manhattan (pre 9/11) was 1998...After a year of showing in Columbus,Cleveland & Springfield as well as solid commissions & sales (including Vancouver B.C) I began to build up my bankroll & my contacts with a 5-10 day return trip to N.Y.C in mind for spring 2011.My original intention (plan) was to travel alone (lone butterfly) by train (Amtrak) out of Cincinnati to New York's Penn Station & stay with an Italian art model (Marie) for 7 days in Brooklyn & the Carter Hotel (from the movie Great Expectations) for 3 days.Well as we all know plans can change & I found a sweet little spot in Williamsburg (awesome!) at the Splatterpool art space courtesy of my guy Tolga.Fellow Pop shop gallery (Cleveland) & 83 gallery (Columbus) artist surprised me by wanting to join me on the adventure.The two weeks leading up to my departure date were filled with nothing, but hours of research,maps,emails,confirmations all while painting my usual output...Set up a show with the antagonist art movement at Niagara in Alphabet city (Tompkins square) for March 31st & was also accepted to ASA gallery (July) along, with a show at the Chelsea hotel ( May) as well as a meeting with my guy, New York's best artist (voted by time out N.Y) Borbay...With everything set & ready to go (relatively speaking) there was one last thing to do, buy a camera as well as lots of black & white film.


We set out of Columbus, Ohio fully packed with our art (8-10 paintings each) at high noon (symbolism) on March 30th for a 9+ hour drive (according to google)thru parts of 5 states.Passed thru Ohio (80mph) into the depressing West Virginia coal country & the town of Wheeling.Stopping for gas on the weirdest off ramp (gas station literally on the ramp) just before entering Pennsylvania & it's mountains.20 minutes after our encounter with the before mentioned off ramp station (cue the Dane cook public restroom joke), up in the foothills next to the highway were two snow foxes (playing or ?) in the high elevation snow.I always heard from my grama Parker growing up that seeing a fox was "good luck" & "auspicious" & there were two!!!Seems like a silly native superstition, but hey?Whatever helps me focus on positive thoughts & energy is (to me) a good thing.Driving on we climbed up into the mountains it began to snow huge powdery flakes that blanketed out everything in front of us (to Arlo's credit,he's a pro) & I looked out my passenger side window at the barely visible 2,000 foot drop with subsequent warning sign,thinking it's not the same as a sheer drop in Colorado, but still pretty goddamn scary.....Soon we began to go thru the tunnels under such mountains as Allegheny,Blue & another (or 2?) I couldn't pronounce & it reminded me of my honeymoon in Hawaii.Driving thru the like-like (pronounced lick-e lick-e in native Hawaiian) tunnel of Oahu with my wife on our way back from the Byodo-in temple & of course my thoughts turned to her for a while, which was a nice break from the intensity of the white out & riding thru the base of a mountain(s).Climbing down from the hills, rollin' fast thru the valley land of Penn & crossing into New Jersey (Dirty Jerz) the anticipation really began to pick-up as the light from Newark & New York stained the sky above a pinkish/magenta.Arlo turned on New York radio & we we're particularly taken with the hot 97 & funkmaster flex (can't believe he's still on it) as you just don't hear current solid east coast hip hop on Midwestern crap radio.After a few moments of confusion on the Jersey turnpike, we found ourselves in the Holland tunnel under the Hudson river (enough with going under crap) & came out onto the island of Manhattan & the west village.Takin' our "sweet ass" time to ensure we didn't take a wrong turn, but also to enjoy the action,scenery & all the other things that make the city so unique.After China town we climbed the Brooklyn bridge (roller coaster for me) & I thought it would collapse beneath us,crashing into the river below along with all the other 100 cars,trucks,etc.Just one of those random paranoid delusions that stops your heart and you hold your breath until the end of the ride.You come off the other side into Williamsburg (up & coming) in the borough of Brooklyn & every thing's comin' up Milhouse.A few mistakes later & we found ourselves at our destination just under the suggested time of google maps (sweet speed racer) & our hosts for the next 5 days,the gang at Splatter pool art space.The vacation officially begins when you reach the place you can relax & call your home away from home & we were at ours & our business trip officially began......................To be continued in Part II

Tuesday, December 21, 2010

Collaborations with photographer W.E Arnold







http://www.wearnoldphotography.com/




...So growing up my grandfather was an amateur photographer and he would show me alot of the film, pictures as well as old movies he shot from the 20's on up thru the 70's. His photos of Catalina island off the coast of California (L.A) were always my favorite, along with his WWII photos of the south pacific and Panama...That was my introduction into B&W photography. I never went that route (photography)as it was a little to expensive, so I paint instead...


...Earlier this year, I met W.E Arnold thru Geoff Collins, chief curator with 83 gallery, at his (Geoff's) birthday party & we just kinda hit it off. A month and a half later we were talkin' about a collaboration...That piece turned out to be Godzilla in N.Y.C #1 (above right). A 20"x30" photographic print from a negative of battery park & the statue of liberty from his (W.E) trip to New york City. At the time I was very impressed with the effort, now in hindsight I know we could & did a much better job the second time around on that subject (Godzilla), but it was the foundation and what a way to start. We showed it for the first time at 83 gallery & their old location at the house on First Avenue. It made a good impression,but didn't sell. In June W.E approached about doing a second for the Exquisite corpse show to benefit the Columbus art mobile at Artillery. We came up with Holiday in N.Y.C (above right)this was a 20"x30" too, but on photo board. It was very well received by a lot of people, including the Director of that show & of the art mobile itself Heather Wirth. A favorite quote was provided courtesy of Ana da Paz-York as "a Phallicly dope co lab!"...The painting sold & helped go to a very good cause (a win-win)...In October we exhibited Godzilla #1 at Clayspace/831 Gallery in a very last minute deal with curator Juan Carrera and were rewarded for it. It was purchased by a man (Tom Wagner) that had bought my Skeletor (O.M.F.G) painting at the C-note show in Junction view studios earlier in the year (April). With the sale of that we were then able to do Shanghai street fighter, this was 24"x36" and on photo print like Godzilla #1 ,but instead of framing this one I used some adhesive to attach it to stretched vinyl.Makin' sure it was square was the real challenge, although I will say that these surfaces are the most demanding I've ever worked with.There is no room for error, as you screw up (misplaced stencil,over spray,etc.) that's it! The surface and painting will not be saved. Thankfully I've not encountered a problem I couldn't handle (knock on wood) & pray to the art gods it stays that way...Shanghai Street fighter is currently on display in Cleveland at the pop shop gallery. When dropping it off up there Rich (owner) & his main dude were shocked it was on a photo print, then to top it off I told them the photographer (W.E. Arnold) took that photo in China! It was at that point that I knew this was a special collaboration & that no two artists had done this kind of thing (Not pop art with B&W photography) before, since that moment the love of the process has increased and the work is so much more rewarding. Also, in October our N.Y.C Holiday was published in the Cleveland State University "Vindicator" along with a lovely article about me by Jordan Leah (Thanks again). In November we knocked out a Jack Kerouac co lab entitled "On the road" for which I sat & cut out a stencil of the last paragraph from the book (on the road). It took about 6 total hours to cut & in the whole duration of makin' the painting listened to my Kerouac spoken word & Jazz mix. He would have to be my favorite author or at least American author. It sold at Aberration consensus in Springfield at the State theatre, a show that W.E & I both showed & stayed at the Marriott along with our girls (Jennifer & Kaycee)...Even without the sale(s), the friendship we've developed has been so awesome & that is another point I keep makin'...The relationships I've made thru these collaborations is so far reaching & so I now have the feelin' that these (paintings/photos) are so much bigger than just myself the artist...November we also took another Godzilla & changed it up. The end results were Godzilla in N.Y.C #2 (screamer)...Another 20"x30" on the foam board (now a fav). This was exhibited at 83 gallery as part of Holiday Hop & it sold that nite. I enjoyed doin' the first one, but #2 was so much fun & I pushed myself hard. I especially enjoy the 50's Esq screamer as well as the new & improved attack helicopters! Now, here we are in December & just completed two more "On the roads"...One of which (above top) "On the road" #2 I did as a Birthday (Jan 1st) present to myself & plan on displaying it above my bookshelf, which contains 4 of Kerouac's works (on the road,dharma bums,the subterraneans & visions of Cody)...W.E Arnold is busy celebratin' a Birthday (Dec.25th) too & together we've both had a pretty incredible 2010 & so there is much to celebrate. After the New Year (my birthday) I look forward to doin' 3 completely new collaborations. That will take us up to eleven paintings with 8 different subjects & I could see gettin' up to 20 real quick...2011 will also see me take the co labs to N.Y.C to show with the Antagonist art movement, along with my other work.The first trip is scheduled for March/April and am very excited, hopefully they will be well received in the big apple too...? I'm pretty sure W.E. is "jacked up" for it as well... I've seen a great deal of Arnold's work & I also look forward to seein' him complete his darkroom along with all the new prints he'll undoubtedly produce, I imagine by late spring. To look at W.E Arnold's work you can do so at http://www.wearnoldphotography.com/ where you'll find more about the artist as well as his upcoming shows. Here are some other links as well...http://www.popshopgallery.com/ - http://www.83gallery.com/ - http://www.macworthington.com/ - http://www.cnoteartshow.com/ - http://www.clayspace.com/